![]() This gives us the notes D#, F# and A, which is the D# diminished triad, therefore the seventh chord in the key of E is D# diminished.Īnd that's about it, you should now know the intricacies of chords in the key of E. Oh what a mess, it's not enough that D# has two double accidentals, we also need to flatten the 3 rd AND the 5 th, since neither the F#, nor the A# are on the E major scale. This gives us the notes C#, E and G#, which is the C# minor triad, therefore the sixth chord in the key of E is C# minor. We have to lower the 3 rd to the flattened 3 rd. We get the notes B, D# and F#, which is the B major triad, therefore the fifth chord in the key of E is B major.Īgain, we need to modify our 3 rd note, which would be an E#, since that note is not in the key of E. We get the notes A, C# and E, which is the A major triad, therefore the fourth chord in the key of E is A major.Īgain, the 1 st, 3 rd and 5 th of the B major scale are in the key of E, so we don’t need to modify any of the notes. This time we’re in luck, the 1 st, 3 rd and 5 th of the A major scale are in the key of E, so we don’t need to modify any of the notes. This gives us the notes G#, B and D#, which is the G# minor triad, therefore the third chord in the key of E is G# minor. So our 3 rd note would be a B#, but again, we can’t have that, since that note is not in the key of E. All of these notes are on the E major scale as well, therefore the second chord in the key of E is F# minor. This gives us the notes F#, A and C#, which is the F# minor triad. So our 3 rd note for would be an A#, but we can’t have that, since that note is not in the key of E major (not on the E major scale). ![]() This gives us the notes E, G# and B, which is the E major triad, therefore the first chord in the key of E is E major. The key of E is a bit harder (than the key of G for example), since we have a lot of sharps, but it's good practice! ![]() Now let’s calculate the quality of each chord in the key of E.
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